History
Formed in 1975,
their debut release, Kibudu, Mansetta And Abuku arrived on the
small independent label Dip, and linked the plight of urban black youth
with the image of a greater African homeland. They followed it with Nyah
Love for Anchor. Surprisingly, they were initially refused live
dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism organisation and featuring in
its first music festival in the spring of 1978, they chose to tour with
sympathetic elements of the punk
movement, including the Stranglers, XTC etc.: "Punks
had a way of enjoying themselves - throw hordes at you, beer, spit at
you, that kind of thing". Eventually they found a more natural home in
support slots for Burning Spear, which brought them to the
attention of Island Records.
Their first release for Island was the Ku Klux
Klan 45, a considered tilt at the evils of racism,
and one often accompanied by a visual parody of the sect on stage. By
this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve
'Grizzly' Nisbett (drums), Alphonso Martin (vocals, percussion) and Mykaell Riley
(vocals). Handsworth Revolution was an
accomplished long playing debut and one of the major landmarks in the
evolution of British Reggae (Executive
Producer Pete King). However, despite critical and moderate commercial
success over three albums, the relationship with Island Records had soured by the advent of Caught You
(released in the US as Reggae Fever).
Tom Terrell, who would later serve as
their manager, was instrumental in masterminding the U.S. premiere of
Steel Pulse on the night of Bob
Marley's funeral, which was broadcast live around the world from the
9:30
Club, 930 F Street, N.W., Washington, D.C. on May 21, 1981.
They switched to Elektra Records, and unveiled their most consistent
collection of songs since their debut with True Democracy, distinguished by
the Garvey-eulogising 'Rally Round' cut. A further definitive set
arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out
of Island's book in trying to coerce Steel Pulse into a more mainstream
vein, asking them to emulate the pop-reggae
stance of Eddy Grant. Babylon The Bandit was consequently
weakened, but did contain the anthemic "Not King James Version", which
was a powerful indictment on the omission of black people and history
from certain versions of the Bible.
Their next move was of Hinds of Steel Pulse to MCA for
State Of Emergency, which retained some of the synthesized dance
elements of its predecessor. Though it was a significantly happier
compromise, it still paled before any of their earlier albums. Centennial
was recorded live at the Elysee Montmartre in Paris, and
dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first
recording since the defection of Alphonso Martin, leaving the trio of Hinds, Nisbett and
Selwyn. While they still faced stern criticism at the hands of British Reggae fans, in the United
States their reputation was growing, becoming the first ever reggae
band to appear on the Tonight television show. Their profile was
raised further when, in 1992, Hinds challenged the New York City Taxi &
Limousine Commission in the Supreme Court, asserting
that their cab drivers discriminated against black people in general and
Rastafarians in particular.
The Steel Pulse message of hope, education and activism has struck a
chord with music lovers worldwide. Their international success has
resulted in a Grammy award for their 1986
classic Babylon The Bandit,
and nominations for subsequent albums Victims (1991) and Rastafari
Centennial (1992). In 1989, the group contributed I Can't Stand
it to the soundtrack of Spike
Lee's film Do The Right Thing.
In 1994, the group headlined some of the world's biggest reggae
festivals including Reggae
Sunsplash USA, Jamaican
Sunsplash, Japan Splash
and Northern California annual Reggae on the
River Festival. In 1986, Steel Pulse contributed an ethereal
version of Franklin's
Tower on Pow Wow Records' Fire on the Mountain: Reggae
Celebrates the Grateful Dead compilation. They recently
covered The Police's Can't Stand Losing You for a reggae
compilation of Police tunes that will appear on the Ark 21 label. The
band is particularly proud of "Rastanthology," a 17-song collection of
Steel Pulse classics (the 1996 compilation was released on the band's
own Wise Man Doctrine label).
"We're not here to start a physical revolution, we're just here to
open everybody's eyes and let them check themselves and continue in a
very educational mode to change things on that tip", Hinds explains.
"We're losing ourselves and I think it's very important for us to
realize that. Too many of our youths have been lost to drugs, or by the gun, or not
having the education needed to persevere and move in an upward
direction. I think RAGE & FURY will contribute to their
enlightenment."
In 2007, The band released their music video for 'Door Of No Return',
a track taken from their latest studio album "African Holocaust", which
explores themes of the Trans-Atlantic Slave Trade. Shot on location in
Senegal and New York City by Driftwood Pictures Ltd.
Steel Pulse played Friday night on the Jazz World Stage at the 2009 Glastonbury Festival.
Steel Pulse are collaborating with Driftwood Pictures to create a
definitive feature length documentary on the band's thirty year history.
The band are currently working on a new album due out in 2010 and
have released the single Barack Obama Song.
Also in 2010, Steel Pulse released a single Hold On 4 Haiti -
100% of the proceeds go to Haiti - to solar electrify health clinics
through the Solar Electric Light Fund and Partners In Health. The song is available for download
exclusively at holdon4haiti.org |
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